Mesa/Boogie Mark Five Instrukcja Właściciela

Owner’s Manual

GETTING STARTED 1. Connect the A.C. Cord to a grounded (3 pin) A.C. outlet.2. Connect your speaker cabinet of choice to the proper matching impedan

HELPFUL HINTS NOTE: REDUNDANT INFORMATION: Throughout this Operating Guide you will encounter redundant information and sections that are repeated

a tubby, indistinct attack and slow the response. A basic rule might be this; As the GAIN goes up…the BASS should come down. • Beware of setting the

FRONT PANEL THE CHANNELS: MODE BY MODE The Channels of the MARK FIVE: 25 are each extremely versatile and therefore it is not entirely fair to c

CHANNEL 2 This Channel is the higher gain channel of the MARK FIVE:25 and is dedicated to creating the best saturated gain sounds from our fable

THE MODES IN DEPTH: CHANNEL 1 CLEAN As discussed in the previous section, this is the lowest gain of the three Channels in the MARK FIVE: 25

FAT works great for chording and rhythmic work, but in contrast to the CLEAN Mode, FAT sings with a huge, lush voice that fills-in a mix and casts a ha

e MODES IN DEPTH: CHANNEL 2 Channel 2 in the MARK FIVE: 25, taken directly from the MARK FIVE’s Channel 3, is a tribute to the entire line of MARK

Hints For e Best Results With e MK IIC+ Mode • Use the Graphic EQ if you need extreme low end with high GAIN settings - this comes later in the

path at a point earlier in the preamp to get the job done correctly. This “early bass” gets amplified over and over until it turns to flub, where as the

Hello from the Tone FarmCongratulations! The amplifier you have chosen is born of thoroughbred stock that carries worldwide accolades and is still set

XTREME The last Mode in Channel 2 is named appropriately and is all about more! More gain, more attack, more punishing mids, more tight, huge lo

THE CONTROLS INPUT This ¼ inch jack is the INPUT to the preamp. Connect your Instrument here using a good quality, shielded cable (grounded)

begins to recede to create a round, compressed sound. Dynamics become slower with lower peaks and a more legato, creamier feel is produced. In Channel

MID/BOOST: CHANNEL 1 This is actually two controls in one, hence the two names. In addition to the power of a standard MID control, this “ganged

The middle region (11:00–1:00) is where the punch and attack begin to come on with more urgency and this is where mahogany guitars really like to see

You can think of the PRESENCE as a control that allows you to either clamp the power amp down, compressing it and darkening things, or open it up and

The MASTER here in the FIVE: 25 is really nothing more than a variable resistor that offers an infinite range of settings possibilities and makes the a

Each Channel is fitted with a mini-toggle just to the left of the SLIDERS to select the operational status of the 5-Band Graphic EQ and the FIVE: 25 gi

POWER This toggle switch delivers the A.C. power to the MARK FIVE: 25. Make sure the amplifier is grounded (all three terminals of the A.C. powe

REAR PANEL MAIN FUSE This is the A.C. (Alternating Current) Main Fuse and it provides amplifier circuit protection from possible power tube fa

Table of ContentsPRECAUTIONSOVERVIEW ____________________________________________________________________________________ 1-5GETTING STARTED _________

To connect your outboard processor(s) to the FX Loop: 1. Connect the SEND jack on the MARK FIVE: 25 Rear Panel to your processor’s INPUT using a hi

NOTE: Introducing a bit of internal REVERB into the mix or even an outboard processor into the FX Loop set to a Delay Preset can help the HEADPHONE Ou

attack, sweet sparkling top end, and tight-tracking low end are achieved with an 8 Ohm Cabinet Load.NOTE: Repeated From HELPFUL HINTS Section; Speake

NOTE: REMINDER! If you have everything ON... POWER, STANDBY, GAIN and MASTER (as well as Input and Output Volume Con-trols on any Effects in the FX Lo

LIFT/GROUND This switch allows you to lift the CABCLONE BALANCED D.I. Output’s XLR jack (PIN 1) GROUND, from Circuit and Chassis GROUND and in m

NOTES

FACTORY SAMPLE SETTINGS PAGE 32CLEANCRUNCHFSMK IIC+MKIVXTREMEGAIN TREBLEMID BOOSTMID PRESENCE MASTERBASSEQ ONEQOOEQ FSEQ ONEQ FS80Hz 240 750 2200 6

FACTORY SAMPLE SETTINGS PAGE 33CLEANCRUNCHFSMK IIC+MKIVXTREMEGAIN TREBLEMID BOOSTMID PRESENCE MASTERBASSEQ ONEQOOEQ FSEQ ONEQ FS80Hz 240 750 2200 6

PAGE 34 USER SETTINGS CLEANCRUNCHFSMK IIC+MKIVXTREMEGAIN TREBLEMID BOOSTMID PRESENCE MASTERBASSEQ ONEQOOEQ FSEQ ONEQ FS80Hz 240 750 2200 660025 W10

PAGE 35 USER SETTINGS CLEANCRUNCHFSMK IIC+MKIVXTREMEGAIN TREBLEMID BOOSTMID PRESENCE MASTERBASSEQ ONEQOOEQ FSEQ ONEQ FS80Hz 240 750 2200 660025 W10

READ AND FOLLOW INSTRUCTIONS OF PROPER USAGE.IMPORTANT SAFETY INSTRUCTIONSRead these instructions.Keep these instructions.Heed all warnings.Follow all

TUBE NOISE & MICROPHONICS: You may occasionally experience some form of tube noise or microphonics. Certainly no cause for alarm, this quirky be

DIAGNOSING PRE-AMP TUBE PROBLEMS: Because your amplifier is an all tube design, it is quite possible that you will at some point experience minor pre

SPEAKER IMPEDANCE MATCHING & HOOK-UP GUIDE:IMPEDANCE: Wiring up speakers to provide the most effective load and making sure that all of them are

SPEAKER IMPEDANCE MATCHING & HOOK-UP GUIDE: (Continued)PARALLEL: When wiring in parallel, the resistance of the speakers decreases. Two 8 ohm s

12544 Ohm Cabinet38 OHM 4 OHM 4 OHMPartial back view of some Mesa amp8 Ohm CabinetSAFE MISMATCH WIRING SCHEMES...Amplifier to Speaker Cabinets4 OH

8 OHM 4 OHM 4 OHMPartial back view of amplifier8 Ohm Cabinet8 Ohm Cabinet68 Ohm Cabinet16 Ohm Cabinet84 OHM 4 OHM 8 OHMPartial back view of am

4 OHM 4 OHM 8 OHMPartial back view of amplifier8 Ohm Cabinet8 Ohm CabinetSERIES BOX16 Ohm8 Ohm8 Ohm8 Ohm Cabinet10SAFE MISMATCH124 OHM 4 OHMPart

4 OHM 4 OHM 8 OHMPartial back view of amplifier8 Ohm Cabinet8 Ohm CabinetSERIES BOX16 Ohm8 Ohm8 Ohm16 Ohm Cabinet13SAFE MISMATCH WIRING SCHEMES.

PAGE 4412AX7V512AX7V412AX7V612AX7V212AX7V312AX7V1EL84V8EL84V7TUBE REPLACEMENTMARK FIVE: 25 HEADFRONT OF CHASSISPREAMP TUBESPOWER TUBESV1A- Input Stage

PAGE 45CLEANCRUNCHFSMK IIC+MKIVXTREMEGAIN TREBLEMID BOOSTMID PRESENCE MASTERBASSEQ ONEQOOEQ FSSPKRONCLOSEDBACKOPENBACKCabClone™D.I.SPKROFFLIFTGROUNDEQ

Operating Instructions Overview: NOTE: This section appears on our website. Feel free to skip this section and go straight to “GETTING STARTED” if y

The Spirit of Art in Technology OOGIEBMESAThank you for trusting MESA/Boogie to be your amplifier company and we wish you many years of toneful

15/01/15The Spirit of Art in Technology 1317 Ross Street Petaluma, CA 94954USA (707) 778-6565 FAX NO. (707) 765-1503

O: F P THE PREAMP CHANNEL 1 This Channel incorporates our best two Clean Modes ever, CLEAN and FAT from the MARK FIVE. The

focus and searing top end of this classic 30 year-old circuit. It’s funny to think of high gain sounds as Vintage (at least for us), but as surely as

the FIVE: 25 gives you a choice of two ways to utilize its shaping power. In each Channel you can decide whether you want the EQ active all the time i

O: R P The first feature of note starting at the far left is the Series, Fully Buffered, Tube FX LOOP. This is the interface point fo